Portland Classic Guitar - Classical Guitar Specialists
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Angel-t

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Angel Romero & Eliot Fisk
An exciting evening of solos and duets shared by two world-renowned artists!
Concert - Saturday, January 10th, 2009 at 8 PM
Master Class – Friday, January 9th 2009 at 3 PM

*Please note the Angel Romero Elliot Fisk performance will be held at the Beautiful Historic First Congregational Church held dowtown near the Arlene Schnitzer concert hall at 1126 SW Park Avenue, Portland, OR 97205.  For tickets click here .  Advance tickets are highly recommended.  Only a limited amount of tickets will be available at the door.  see map

 

Eliot Fisk Biography
on of the past, guitarist Eliot Fisk is one of the most exciting and unique artists before the public today.  Known world wide for his adventurous repertoire and willingness to take art music into unusual venues (including schools, senior centers and even prisons!) he belongs, as his great mentor Andrés Segovia once wrote, “at the top line of our artistic world.”

In June of 2006, by order of King Juan Carlos of Spain, Eliot Fisk was awarded the Cruz of Isabel la Catótlica for his service to the cause of Spanish music. Earlier recipients of this rarely bestowed honor include Andrés Segovia and Yehudi Menuhin.

Eliot Fisk has performed to dazzling critical and public acclaim in recital, as soloist with major orchestras and in a wide variety of chamber music combinations in most of the great concert halls of the world and in 1996 in a command performance in the Palacio de los Cordova in Granada, Spain, for then U.S. President Bill Clinton and King Juan Carlos of Spain and their families.

Eliot Fisk has expanded the repertoire for the guitar enormously through countless ground breaking transcriptions of works by Bach, Scarlatti, Haydn, Mozart, Paganini, and others as well as through commissions from leading composers as varied as Luciano Berio, Leonardo Balada, Robert Beaser, Wiliam Bolcom, Xavier Montsalvatge, Nicholas Maw, George Rochberg and Kurt Schwertsik. His numerous transcriptions and editions are published by Universal, Presser, Ricordi and Guitar Solo Publications.

Eliot Fisk’s numerous recordings for the Musical Heritage Society, DGG, Arabesque, and EMI have elicited unqualified praise and even entered the Billboard charts as bestsellers.  Most of these recordings include repertoire never before performed on the guitar such as his legendary reading of the 24 solo violin Capricci, Op. 1 of Paganini (“Has to be heard to be believed!” — Ruggiero Ricci), his recordings of contemporary works by Berio and Rochberg or his recording with Paula Robison of Robert Beaser’s Mountain Songs, which was nominated for a Grammy. Guitar Review wrote that his versions of the complete Bach unaccompanied violin Sonatas and Partitas, BWV 1001-1006 “place him alongside Casals and Gould as one of this century's greatest interpreters of Bach.” On a lighter note, Gramophon Magazine described his transcriptions for violin, cello and guitar of Bach's Violin Sonatas BWV 1014 – 1019: “If exploring the instrumental potential of the continuo is Baroque music's equivalent of exploring Star Trek’s final frontier, then guitarist Eliot Fisk may be its Captain Kirk and his transcription of Bach’s Six Violin Sonatas its Starship Enterprise”.

Eliot Fisk's forays into unconventional territory have included collaborations with chanteuse, Ute Lemper; Turkish music master, Burhan Öçal; jazz guitar legend, Joe Pass; flamenco great, Paco Pena; and master of castanets, Lucero Tena. 

Eliot's 2006 - 2007 season included four major premieres: Leonardo Balada's "Caprichos" (seven movements after songs of Federico Garcia Lorca for guitar and string quartet), Kurt Schwertsik's 25 minute "Ein Kleines Requiem" for solo guitar; Daniel Bernard Romain's concerto for guitar and chamber orchestra (“We March”); and Eliot Fisk's transcription of Mark O' Connor's violin concerto movement entitled, "Winter" for guitar and orchestra. A highlight of this transcription was Eliot’s cadenza which, in addition to modulating  through an astonishing variety of remote keys, managed to quote Vivaldi’s “Four Seasons” and the Beegees’ “Stayin’  Alive” before concluding in a series of left hand trills accompanied by right hand artificial harmonics.

In the 2008 - 2009 season Eliot Fisk premieres Robert Beaser’s long awaited concerto for guitar and orchestra, commissioned by a consortium including the Albany Symphony, the American Composers Orchestra and the Orchestra of the Bruckner Haus of Linz, Austria.  Following the premiere in Albany, further performances are scheduled at Zankel Hall at Carnegie Hall in New York and Bruckner Haus in Linz both under the baton of Dennis Russell Davies.

In addition to his performing career Eliot Fisk is founder and director of Boston Guitar Fest, an annual cross disciplinary musical extravaganza co-sponsored by the New England Conservatory and Northeastern University and featuring a wide variety of performances, classes, seminars and even a guitar competition. The Festival has enjoyed phenomenal growth since its inception in 2006 receiving warm encouragement from Massachusetts Senators Edward Kennedy and John Kerry as well as from reknowned Massachusetts congressional representative, Barney Frank.

In 2008 Eliot Fisk began a highly anticipated collaboration with guitar legend Angel Romero.  Only in its first season, this extraordinary collaboration is already booked in major venues from coast to coast and will headline Boston Guitar Fest 2008 in Jordan Hall on June 14th.

Eliot Fisk was the last direct pupil of Andrés Segovia and also studied interpretation under the legendary harpsichordist, Ralph Kirkpatrick, at Yale University from which he graduated summa cum laude in 1976. Called by one New York Times headline  “A Fiery  Missionary to the Unconverted,” Eliot Fisk devotes considerable energy to teaching. He is Professor at the
Universitat Mozarteum in Salzburg, Austria, where he teaches in 5 different languages, and in Boston at the New England Conservatory. His students have come from all corners of the earth. Many have gone on to become important performers and teachers in their own right.

Eliot Fisk lives in Boston, Salzburg, and (whenever possible) in his beloved Granada, Spain, with his wife, acclaimed guitarist Zaira Meneses, and their seven year old daughter, Raquel.  His website is
www.eliotfisk.com.

Angel Romero Biography
Hailed for his superior artistry as the Spanish maestro of the guitar, Angel Romero’s eminence in the music world as soloist and conductor is heralded by audiences and critics alike. One of the most sought-after musicians of his generation, Angel Romero has appeared in the major cultural centers throughout the world including those of London, Paris, Berlin, Vienna, Madrid, Munich, Zurich, Chicago, Los Angles and New York among others. He has appeared as soloist with such leading orchestras as the New York Philharmonic, the Cleveland Orchestra, the Royal Philharmonic, the New World Symphony, and the Royal Concertgebouw Orchestra. As conductor, he has led numerous orchestras worldwide including the Pittsburgh Symphony, the Academy of St. Martin in the Fields, the Royal Philharmonic, Germany’s NDR Symphony Orchestra and the Berlin Symphoniker, the Beijing Philharmonic, the Euro-Asia Philharmonic, the Shanghai Symphony, the Bogotá Philharmonic, the Chicago Sinfonietta, the Orquesta de Baja California, the Santa Barbara Symphony, the San Diego Symphony and the San Diego Chamber Orchestra among others. Regardless of his role on stage, his driving intensity and flawless control mark him as a true master of the arts.

Angel Romero’s extensive discography includes highly acclaimed recordings for Delos International, RCA Victor Red Seal and RCA Victor Worldwide, Telarc and Angel/EMI. In 2001, Delos released “Bella,” which includes monumental pieces such as Bach's Air on the G String to Romero's own father's Tango Angelita - a composition dedicated to his late mother. In 1999, “Romero Plays Rodrigo” was released featuring works written for and dedicated to Angel Romero through his long and close relationship with the Spanish composer. In 1998, he was featured as soloist and conductor in an acclaimed recording of Vivaldi’s guitar concertos with the Academy of St. Martin in the Fields. In 1995, RCA released a crossover recording of flamenco and pop music, featuring Angel Romero playing a diverse repertoire spanning works from Pachelbel to Bill Conti. This particular recording features Mr. Romero’s world-premiere transcriptions for one guitar.

In February 2000 he was presented with the highest honor that the country of Spain has to offer, the Grand Cross of Isabel la Catolica and was knighted Sir Angel Romero in reverence of his astounding musical accomplishments. In 2007, Angel Romero was honored by the Recording Academy, producer of the Grammy Awards, with the Recording Academy President’s Merit Award for his significant contributions to the music world and for his professional career achievements.

Angel Romero is noted for his activities in the film industry. In 1989, he performed the entire score for “The Milagro Bean Field War” directed by Robert Redford. In 1994, he composed and directed the musical score for the Gabriele Retes film “Bienvenido-Welcome,” which opened at the Muestra del Cine film festival in Guadalajara. For his work on this film, Mr. Romero won the 1995 ARIEL (the “Academy Award” of Mexico) in the category of music written originally for film. He also performed and recorded the entire score for the film “By The Sword” composed by Bill Conti, and played a cameo role in the major motion picture “Bound by Honor,” a Taylor Hackford film.

Born in Malaga, Spain, Angel Romero made his professional debut at the age of six and his United States debut at the Hollywood Bowl when he was 16 giving the West Coast premiere of the famed Rodrigo’s “Aranjuez Concerto.” This occasion also marked the first time a guitarist was featured as soloist with the Los Angeles Philharmonic. In 1991, he gave the world premiere of Joaquin Rodrigo’s “Rincones de España” at New York’s Lincoln Center. Mr. Romero studied conducting privately with Eugene Ormandy, the legendary conductor of the Philadelphia Orchestra. Angel Romero has played for numerous world leaders including his globally telecast 1992 appearance in the United Nations General Assembly Hall with the National Orchestra of Spain under the baton of Rafael Frühbeck de Burgos. The performance was by invitation of then Secretary General Boutros Boutros-Ghali to promote world peace and to celebrate the 500th Anniversary of the discovery of America by Christopher Columbus.

 

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